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Program

VORBRENNER is a contemporary art platform that promotes process-oriented work across all disciplines and genres. It offers short-term opportunities for collaboration for both collectives and individual artists in search of new insights and contemporary forms of expression that engage with an interdisziplinary concept of art and science. The focus is on a movement that is curious, experimental, researching, and developing, that welcomes the unfinished, the paradoxical, and the fragmentary. For exploratory trials of such nature, VORBRENNER provides the BRUX premises along with infrastructure and financial resources.

"I am outside of it in the land of NOPE."
E. Jane

Calendar

  • Performance: Subvocal
    Aapo Nikkanen, Raudie McLeod
    BRUX / Freies Theater Innsbruck -> schwarzer Raum
  • Performance: Subvocal
    Aapo Nikkanen, Raudie McLeod
    BRUX / Freies Theater Innsbruck -> schwarzer Raum
  • Workshop Archival Cruising: The Radical Act of Spending Money
    Laura Nitsch
  • Opening: The Radical Act of Spending Money
    Laura Nitsch
  • Screening/Installation: The Radical Act of Spending Money
    Laura Nitsch
  • Workshop Archival Cruising: The Radical Act of Spending Money
    Laura Nitsch
  • Screening/Installation: The Radical Act of Spending Money
    Laura Nitsch
  • Screening/Installation: The Radical Act of Spending Money
    Laura Nitsch
  • Performance: MASCOTTE
    Julie Carrere, Brad Nath
  • Performance: MASCOTTE
    Julie Carrere, Brad Nath
  • Lecture-Performance: Photosensitives
    Drága Cardo
  • Installation: Photosensitives
    Drága Cardo
  • Play: Pos. 19 Relations II Lost Objects
    Hanna Kučera, Lusine Kagramanyan, Helen Clare Kinney, Monika Kučera
  • Play: Pos. 19 Relations II Lost Objects
    Hanna Kučera, Lusine Kagramanyan, Helen Clare Kinney, Monika Kučera

Archive

MASCOTTE

Julie Carrere, Brad Nath
31.08.-06.09.2026
Performance
public space (space to be announced)
© Sophie Nawova Meyer
© Sophie Nawova Meyer
© Sophie Nawova Meyer
© Sophie Nawova Meyer

    MASCOTTE is a dance performance project for public space by Julie Carrere. It follows a costumed figure caught between personhood and performance, unable to fully shed their theatrical skin. The mascot drifts through exaggerated gestures and familiar choreographies, ambiguously engaging with passersby. These moments of spontaneous performance are punctuated by stillness and moments of rest. Developed in collaboration with Brad Nath, the costume conceals the body yet refuses to disappear. It reveals a tension between what’s covered and what insists on being seen. Acting as a moving theatre, the costume contains the dance, shields the performer, restricts movement, and gathers an audience around itself. The dance unfolds both inside and outside — visible and imagined.

    Julie Carrere

    Julie Carrere (they/she/he) is a dancer and performer from France, currently based in Berlin. Their work explores the body and dance as contemporary lenses through which to reflect on history—while remaining both anxious and hopeful about the future. Drawing on references from pop and internet culture, and often closely linked to music, Carrere develops choreographies that actively engage audiences across diverse spaces and contexts. Their performances and collaborations have been presented at Uferstudios (2024), Tanznacht Festival (2023), Molt (2023), P.A.R.T.S. (2023), ada Studio (2023, 2022), and Hosek Contemporary (2022).

    www.juliecarrere.com/
    www.instagram.com/juli_carrere/

    Brad Nath

    Brad Nath (b. 1995, New York, he/they) investigates the body as a site of technological hybridity through historical, contemporary, and speculative frameworks. Beginning with the domestication of dogs as an early form of biotechnology, the research seeks to expose the underlying relations between humans, animals, and robots. Using techniques that blur biological and synthetic distinctions, the beings that emerge offer unresolved encounters of
    embodiment and uncertain terms of companionship. The practice offers a lens to engage with the fears and fantasies that underly the context of increasing technological dominance.

    www.bradnath.com

    Dates

    • Performance
      Julie Carrere, Brad Nath
    • Performance
      Julie Carrere, Brad Nath

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